CV
Born in Asmara, Eritrea
Education Whitney Independent Study Program
School of the Museum of Fine Arts, Boston, MFA Concordia University, Montreal, QC, BFA (Photography) University of Saskatchewan, Saskatoon, SK, BA (History)
Solo Exhibitions
As the Nile Flows or the Camel Walks, Remai Modern, Saskatoon, SK, 2025 As the Nile Flows or the Camel Walks, College Art Galleries, University of Saskatchewan, Saskatoon, SK, 2025 Prospetto a Mare, The Museum of Contemporary Photography, Chicago, IL, 2024 Dawit L. Petros: Recent Work, Tiwani Contemporary, London, UK, 2023 Spazio Disponible, Galerie de l’UQAM, Montreal, 2022 Spazio Disponible, Mackenzie Art Gallery, Regina, SK, 2021 Gaps, holes, fissures, and frictions, Bradley Ertaskiran, Montreal, QC, 2021 A Recurrrence of Forms, Space 204 Gallery, Vanderbilt University, Nashville, TN, 2020
Spazio Disponibile, University Buffalo Art Galleries, Buffalo, NY, 2020 Spazio Disponibile, The Power Plant Contemporary Art Gallery, Toronto, ON, 2020
The Stranger’s Notebook, H&R Block Artspace, Kansas City, MI, 2016
The Stranger’s Notebook, Tiwani Contemporary, London, UK, 2016
Sense of Place, Museum of Fine Arts, Boston, MA, 2013
Mahber Shaw’ate (Association of Seven), Print Studio, Hamilton, ON, 2012
Mahber Shaw’ate (Association of Seven), Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, 2011
Mahber Shaw’ate (Association of Seven), Alexander Gray Associates, New York, NY, 2011 Mimesis, Marilia Razuk Galeria De Arte, Sao Paulo, Brazil, 2011
Dawit L. Petros, Franklin Art Works, Minneapolis, MN, 2011
Addis/Chromes, Atelier Art Gallery, Addis Ababa, Ethiopia, 2010
Remix, Prefix Gallery, Toronto, ON, 2006
Group Exhibitions
Trace: Formations of Likeness, Haus der Kunst, Munich, Germany, 2023 As We Rise, Peabody Essex Museum, Salem, MA, 2023 As We Rise, The Polygon Gallery, Vancouver, BC, 2023 As We Rise, The Art Museum at the University of Toronto, 2022 Ozangé, Spanish Biennial of African Photography, Malaga, Spain, 2022 Realistic Utopias, KØS Museum for Art in Public Space, Nørregade in Køge, Denmark, 2022 1,000 Miles Per Hour, Beeler Gallery, Columbus, OH, 2022 Dyschronics, Artspace, New Haven, CT, 2022 African Cosmologies: Photography, Time, and the Other, FotoFest Biennial 2020, Houston, TX, 2022
Recollections, H&R Block Artspace at the Kansas City Art Institute, Kansas City, MO, 2022
The Norval Sovereign African Art Prize Finalists Exhibition, Norval Foundation, Cape Town, South Africa, 2022 Canadian Pavilion at International EXPO, Dubai, United Arab Emirates, 2021 Africa State of Mind, Arles 2021 Les Rencontres de la Photographie, Arles, France, 2021 To the Edge of Time, University Library Galleries, KU Leuven, Belgium, 2021
Istanbul Design Biennial, Black Athena Collective, Istanbul, Turkey, 2020 En bonne compagnie, Bradley Ertaskiran, Montreal, QC, 2020 Scotiabank Contact Photography Festival, Public Installation, The Powerplant Contemporary Art Gallery, Toronto, ON, 2020 Pictures from another wall, De Pont Museum, Tilburg, The Netherlands, 2020 Seeing Chicago, Museum of Contemporary Art Chicago, Chicago, IL, 2020 Pictures from another wall, De Pont Museum, Tilburg, The Netherlands, 2020
Listening to the Echoes of the South Atlantic, Oslo Kunstforening, Oslo, Norway, 2020
African Cosmologies: Photography, Time, and the Other, FotoFest Biennial 2020, Houston, TX, 2020 Africa State of Mind, Museum of the African Diaspora, San Francisco, CA, 2020
Kith & Kin, Roberts Gallery, Lesley Art + Design, Cambridge, MA, 2020
Intermittent Rivers, 13th Havana Biennial in Matanzas, 2019 Public Volumes, Small Arms Inspection Building, Mississauga, ON, 2019 How the light gets in, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 2019
Nine Moments for Now, Ethelbert Cooper Gallery, Harvard, Cambridge, MA, 2018
Recent Histories, Huis Marseille Museum Voor Forografie, Amsterdam, Netherlands, 2018 HERE:Locating Contemporary Canadian Artists, Aga Khan Museum, Toronto, ON, 2018 Afrotopia: The African Photography Biennial, Africa Museum, Berg en Dal, Netherlands, 2018
Addis Foto Fest, Addis Ababa, Ethiopia, 2018
Here We Are, Royal Ontario Museum, Toronto, ON, 2018
Nowhere Is A Place, Rencontres de Bamako, Bamako Biennale, (Black Athena Collective), Bamako, Mali, 2017
Deconstructed Spaces, Surveyed Memories, Bamako Biennale, Bamako, Mali, 2017
Prospect.4 The Lotus In Spite of the Swamp, New Orleans Museum of Art, New Orleans, LO, 2017 Lack of Location, Is My Location, Koenig & Clinton Gallery, Brooklyn, NY, 2017
In Search Of, Transmitter, New York, NY, 2017
Recent Histories, The Walther Collection, Neu-Ulm, Ulm, Germany, 2017
In each hand I keep each of my eyes, Hampshire College Art Gallery, Amherst, MA, 2017
Capture Image Festival, Contemporary Art Gallery in Vancouver, Vancouver, BC, 2017
Recent Histories, The Walther Collection Project Space, New York, NY, 2016
Africans in America, Goodman Gallery, Johannesburg, SA, 2016
Position As Desired, Art Gallery of Windsor, Windsor, ON, 2016
Encounters Beyond Borders, Kennedy Museum of Art at Ohio University, Athens, OH, 2016
Race, Love, and Labor, Center for Photography, Woodstock, NY, 2016
The View From Here, Tiwani Contemporary, London, UK, 2015
In Another Place, And Here, Art Gallery of Greater Victoria, Victoria, BC, 2015
Hopes and Impediments, Prince Claus Fund Gallery, Amsterdam, NL, 2014
Under Another Name, The Studio Museum in Harlem, New York, NY, 2014
Race, Love, and Labor, Samuel Dorsky Museum of Art, New Paltz, NY, 2014
Earth Matters: The Land as Material and Metaphor in the Arts of Africa, Fowler Museum at UCLA, Los Angeles, CA, 2014 Earth Matters: The Land As Material and Metaphor in the Arts of Africa, National Museum of African Art, Washington, DC, 2013
American Beauty, Susan Inglett Gallery, NYC, NY, 2013
Whitney ISP Exhibition, Temp Gallery, New York, NY, 2013 The Bearden Project, Studio Museum In Harlem, NY, 2012
Artists-In-Residence Exhibition, McColl Center for Visual Art, Charlotte, NC, 2012
Sawdust and Solitude, Artist-In-Residence Exhibition, Salina Art Center, Salina, KS, 2012 Position As Desired, Royal Ontario Museum, Pier 21, The Canadian Museum of Immigration, Halifax, NS, 2012
Mimesis, Lianzhou International Photo Festival, Lianzhou, China, 2011
Always Moving Forward, Platform Gallery, Winnipeg, MB, 2011
Don’t Panic, Durban Art Gallery, Durban, SA, 2011
Becoming, Nasher Museum of Art, Durham, NC, 2011
The Idea of North, Biscuiterie, Dakar, Senegal, 2011
The Production of Space, Studio Museum in Harlem, New York, NY, 2011
Position As Desired, Royal Ontario Museum, Toronto, ON, 2011
The Laundromat Project, Collette Blanchard Gallery, New York, NY, 2010
Made in Woodstock V, The Center for Photography at Woodstock, NY, 2010
Always Moving Forward, Gallery 44, Toronto, ON, 2010
Encodings, Artist-In-Residence, Studio Museum in Harlem, New York, NY, 2009
Liminal Space, The Lay Up, Brooklyn, NY, 2009
Young Curators: New Ideas 2, PPOW Gallery, New York, NY, 2009
The New Language Makers, Videotage, Hong Kong, China, 2009
Site Seeing: Explorations of Landscape, The Center for Photography at Woodstock, NY, 2009 Flow, Studio Museum in Harlem, New York, NY, 2008
Becoming, Museum of Contemporary Art Detroit, Detroit, MI, 2008
Subpoena, Talman + Monroe, Brooklyn, NY, 2008
Floating Architectures and Constant Centers: Some Projections, Martin, 2008 Art Gallery, Baker Center for the Arts, Muhlenberg College, Allentown, PA, 2008
The Idea of North, MFA Thesis Exhibition, Tufts University Gallery, Medford, MA, 2007 Wedge Retrospective Exhibition, Wedge Gallery, Toronto, ON, 2007
CAA Regional MFA Exhibition, Mass College of Art, Boston, MA, 2006
Alone, Gallery 44, Toronto, ON, 2006
Wish, Bagg Gallery, Boston, MA, 2005
Visions of Active Citizenship, Tufts University, Medford, MA, 2005
Strike Black, Observatoire 4, Montreal, QC, 2004
The Lexington Project, Site Specific Installation, Lexington, MA, 2004
Omiala, Harbour Front Gallery, Toronto, ON, 2004
Transliteration, Gallery 101, Ottawa, ON, 2003
1st Art! Exhibition, 1st Canadian Place Gallery, Toronto, ON, 2003
Translucide, Maison de la Culture, Montreal, QC, 2003
Translucid, Galerie Art Mûr, Montreal, QC, 2003
Green, Leonard and Bina Ellen Gallery, Montreal, QC, 2003
Separate Grounds, Gallery VAV, Montreal, QC, 2003
Too Big To Stay Small, Leonard & Bina Ellen Gallery, Montreal, QC, 2002
A Relative Proximity, Lotus Eaters Gallery, Montreal, QC, 2002
Workshops Time and Photography, NUEYS, Asmara, Eritrea, 2023
Inscribed Surfaces: On Transient Histories, Art Space, New Haven, CT, 2022 Story Telling & Sound Art, Black Athena Collective, Asmara, Eritrea, 2019 The Artist As Historian, Black Athena Collective, DFG Research and Training Group Knowledge in Arts, In cooperation with Studium Generale, UdK Berlin, 2018 An Artist’s Work, Galerie Zeinart Nouakchott, Mauritania, 2014
Awards and Residencies Conseil des arts et des lettres du Québec, Acquisition and Marketing Grant, Québec, QC, 2023 Terra Foundation for American Art Research Fellow, Museum of Contemporary Photography, Chicago, IL, 2021-2023 The Norval Sovereign African Art Prize, Short List, Cape Town, SA, 2021 Laureate, Paul De Hueck and Norman Walford Career Achievement Award in Art Photography, Ontario Arts Council, Toronto, ON, 2021 Duke and Duchess of York Prize in Photography, Canada Council for the Arts, Ottawa, ON, 2021 Conseil des arts et des lettres du Québec, Publication & Critical Documentation, Québec, QC, 2021
Scotiabank Photography Award, Short List, Toronto, ON, 2021 Canada Council for the Arts, Explore and Create Grant, Ottawa, ON, 2020 Conseil des arts et des lettres du Québec, Research and Production Grant, Québec, QC, 2019 Conseil des arts et des lettres du Québec, Acquisition and Marketing Grant, Québec, QC, 2019 Scotiabank Photography Award, Nominee, Toronto, ON, 2017 Visiting Artist, Lesley University, Cambridge, MA, 2017
Visiting Artist, School of the Art Institute of Chicago, Chicago, IL, 2015-2016 Artist-In-Residence, Mana Contemporary, Chicago, IL, 2015
Canada Council for the Arts, Long Term Project Grant, Ottawa, ON, 2014-2015
Invisible Borders TransAfrican Photography Collective, Artist-In-Residence, Lagos, Nigeria, 2014 Whitney Museum, Independent Study Program Fellowship, New York, NY, 2012 Salina Art Center, Artist-in-Residence, Salina, KA, 2012
The Print Studio, Artist-in-Residence, Hamilton, Canada, 2012
McColl Center for Visual Art, Knight Foundation, Artist-In-Residence, Charlotte, NC, 2012
Canada Council for the Arts, Production Grant, Ottawa, ON, 2011
Canada Council for the Arts, Travel Grant, Ottawa, ON, 2011
Addis Ababa Foto Festival, Artist-In-Residence, Ethiopia, 2010
Canada Council for the Arts, Production Grant, Ottawa, ON, 2008
The Studio Museum in Harlem, Artist-In-Residence, New York, NY, 2008
Art Matters Foundation, New York, NY, 2007
Center for Photography at Woodstock, Artist-In-Residence, Woodstock, NY, 2007
Montague International Travel Grant, School of the Museum of Fine Arts, Boston, MA, 2006
International Travel Grant, School of the Museum of Fine Arts, Boston, MA, 2006
Bartlett National Travel Grant, School of the Museum of Fine Arts, Boston, 2006 Graduate Teaching Fellowship, School of the Museum of Fine Arts, Boston, 2005-2007 Fulbright Fellowship, Canada–United States, 2004–2006
Imperial Tobacco Canada Grant, Montreal, Canada, 2004
Saskatchewan Arts Board Grant, Saskatchewan, Canada, 2004
J. Armand Bombardier Internationalist Fellowship, Montreal, Canada, 2004
Fonds québécois de la recherch sur la société et la culture, Research Scholarship, Montreal, QC, 2004
Bibliography Dawit L. Petros, Spazio Disponibile. Editors: Gaëtane Verna & Liz Park, Co-Production by The Power Plant Contemporary Art Gallery and University Buffalo at Art Galleries, Mousse Publishing, Milan, 2022
“1st Art.” Canadian Art Fall 2003 “2005 PRC.” In The Loupe, January 2005 Aesthetica Magazine, “Reshaping History.” Aesthetic Magazine, March 11, 2020
Albu, Cristina, “Dawit Petros at Artspace,” TemporaryArtReview.com, January 9, 2017
Affleck, Jane. “Position As Desired Canadian Museum of Immigration at Pier 21, Halifax.” C Magazine 118, Summer 2013
Armstrong, Neil. “We Are Here,” The Weekly Gleaner, January 11-17, 2018
Armstrong, Neil. “We Are Here,” The Weekly Gleaner, January 11-17, 2018 Azimi, Roxana, “La photographie sous toutes ses formes.” Le Quotidien de L’Art, 20 Mai 2016 Beckwith, Naomi. “Encodings.” Encodings: The Studio Museum in Harlem, Artists in Residence, Exhibition Catalogue, 2009
Black Athena Collective, ‘The Tent as an Image of the Cosmos,” 5th Istanbul Design Biennial, Exhibition Catalogue, 2021 Branker, Saada. “The Wedge’s Flava.” WordMag, 2007
Butler, Shelly Ruth, ‘Museum without Walls: After Into the Heart of Africa,’ Curatorial Dreams: Critics Imagine Exhibitions, Shelley Ruth Butler and Erica Lehrer (editors), p. 238-239
Byrd, Antawan I., “Listening Along the Wayfarings of Em’kal Eyongakpa and Dawit L. Petros,” Exhibition Catalogue, Recent Histories: Contemporary African Photography and Video Art from the Walther Collection, 2017
Cappetta, Andrew. “Amani Olu Has New Ideas.” Art in America. August 2009
“Contact”, Now Magazine, May 2006
“Contact Goes Global”, Doze, May 2006 Contemporary &, Museum Shutdown, Installation View, “Dawit L. Petros: Spazio Disponibile.” Contemporaryand.com, 31 March 2020
Cosbert Miller, Letticia, “The Capaciousness of Blackness: An Interview with Dawit. L. Petros.” Momus.ca, October 21, 2021
Cotter, Holland. “Encodings: Khalif Kelly, Adam Pendleton, Dawit L. Petros.” The New York Times, October 22, 2009
Cotter, Holland, “American Beauty.” The New York Times, January 23, 2014
Cotter, Holland. “Out of Africa, Whatever Africa May Be.” The New York Times, April 4, 2008 Cousineau-Levine. Penny, “Alone: Fitting In.” (Exhibition Catalogue). 2006
Crooks, Julie. “Position As Desired.” (Exhibition Catalogue). 2010
Dee, Christa, “Dawit L. Petros: Place-making and cultural negotiation,” Bubblegumclub.co.za, 2017
Delgado, Jérôme, “Résister aux envahisseurs,” LeDevoir, 25 septembre 2021 Díaz, Eva. “Prospect.4: In New Orleans, a global triennial fails to learn from its past mistakes,” 4columns.org, January 5, 2018
Dillon, Stephen. “Dawit L. Petros: The Stranger’s Notebook.” Garage Magazine, June, 2016 “Dawit L. Petros: Untitled (Prologue II),” Harpers Magazine Blog, October 28, 2017
“Dawit L. Petros Captures the World with a Camera and a Cardboard Box.” Artsy.net, June 24, 2015
“Dawit L. Petros: The Stranger’s Notebook (Prologue),” Contemporary &, June 2016
Duerr, Teri. “Young Curators on the Art of New Ideas,” New York Art Beat. August 2009 Edmonds, Pamela. “I’ll Make Me A World.” Prefix Photo, 2006
“1st Art.” Canadian Art Fall 2003
“Flava: Wedge Curatorial Projects, 1997–2007.” Wedge Curatorial Projects Catalogue, 2007 Enwezor, Okwui, “Okwui Enwezor on The Recent Histories of African Photography, “Apterture.org, May 4, 2017
Enwezor, Okwui and Okeke-Agulu, Chika. Contemporary African Art Since 1980, October 2009 Fortin, Sylvie (Editor). “Currencies of Hospitality.” Public 61: Art/Culture/Ideas, April 2021 Fortin, Sylvie. “Prospect.4: The Lotus in Spite of the Swamp, New Orleans.” C Magazine, 137, Spring 2018
Frater, Sally. “Position As Desired” Exhibition Review, Canadian Art, Spring 2011 Gessell, Paul. “Paraphrasing famous European works of art.” The Ottawa Citizen, 2004 Ghirmay, Huriy. “The Eritrean Diaspora.” Elem Magazine, Issue 14, October-December, 2009 Goodhand, Margo. “Out of Africa, Into Your Homes”, Winnipeg Free Press, 11/12/2011. Hagman, Sarah. “Dawit L. Petros: Sense of Place.” Improper Bostonian, September, 2013
Handelman, Jon. “Re-drawing the Colour Lines.” The McGill Daily, 2004 Harney, Elizabeth. “Shades and Passages: Petros’ colorscapes.” Franklin Art Works, Exhibition Publication, 2012
Haynes, Lauren. “The Bearden Project.” The Bearden Project: The Studio Museum in Harlem, Exhibition Catalogue, 2012 Iduma, Emmanuel, “Here Comes The Stranger,” Exhibition Brochure Text, The Stranger’s Notebook, H & R Block Artspace, January 2017
Iduma, Emmanuel, “Fiction/Non Fiction: ‘Recent Histories’ Presents Documentary-Based Photography from Africa,”, Artnews, May 9, 2017 Iduma, Emmanuel, “Italy’s Colonial History in Africa Re-Framed.” The New York Review, October 3, 2020 Indrisek, Scott, “Prospect.4 Brings Big Names to New Orleans–but Doesn’t Take Enough Risks,” Artsy, Nov 20, 2017 Jayawardane, M. Neelika and Iduma, Emmanuel, “Can African Critics Rewrite the Story of African Photography?” https://aperture.org/blog/can-african-critics-rewrite-story-african- photography/, Aperture 227, Summer 2017
Johnson, Paddy. “Pleasant Surprises in the Swamp at Prospect, the New Orleans Triennial,” Hyperallergic, November 22, 2017 Jordan, Betty Ann. “Group Therapy.” Toronto Life, May 2006
“World Remade in Their Image”, The Montreal Gazette. 2003
Khvan, Olga. “Sense of Place Exhibit at the MFA Marks Homecoming for Dawit L. Petros.” Boston Magazine. November 11, 2013
Lacayo, Jessie. “Transliteration.” Exhibition Catalogue, 2004
Lehman, Henry. “Strike Black.” The Montreal Gazette, 2004
Lew, Christopher Y. “A Kind of Blue.” Encodings: The Studio Museum in Harlem, Artists in Residence, Exhibition Catalogue, 2009
Livingston, Wendy. “Art from the Cutting Wedge.: Today Duke, August 11, 2011
Marquet, Thomas. “Dawit L. Petros: Mahber Shaw’ate: Association of 7.” Santa Barbara Contemporary Arts Forum, Exhibition Publication, 2011
McGirk, James. “Harlem’s Rising Stars.” The Intelligent Life, September, 2009
McLeod, Scott (ed), Latent Images, Prefix Photo, Volume 21, No 1, 2020
McQuaid, Cate. “Displacement in a Theoretical World.” Boston Globe, November 12, 2013 Mengiste, Maaza, “Interview With Dawit L. Petros,” Exhibition Catalogue, Recent Histories: Contemporary African Photography and Video Art from the Walther Collection, 2017 Mercier, Jean, “The Stranger’s Notebook (Prologue),” LensCulture, June 2016
Milbourne, Karen E. “Earth Matters: Land As Material and Metaphor in the Arts of Africa.” Smithsonian National Museum of African Art, Exhibition Catalogue, 2013
Mitter, Siddartha “Africa Illuminated: Shining A Spotlight On Contemporary African Photography,” Village Voice, November 9, 2016
Morelli, Naima, “Traces of Italian Colonialism in the work of Eritrean artist Dawit L. Petros,” Global Comment, November 11, 2020 Muluneh, Aida. Addis Ababa Foto Fest, Exhibition Catalogue, 2011
Olivares, Rosa. (ed), Metafotografia/Metaphotography, “Dawit L. Petros: The Stranger’s Notebook,” No. 79, 2020
O’Toole, Sean. “Flow.” Frieze, Issue 116, June-August 2008
Okeke-Agulu, Chika. (Introduction), “African Artists: From 1882 to Now.” Phaidon, 2021 Okeke-Agulu, Chika. “New Order.” Arise, No. 6, October 2009
Perree, Rob, “Dawit L. Petros: The Stranger’s Notebook,” africanah.org, April 22 2016 Petros, Dawit L., “Roaming Around the Edges of the Familiar.” Public 61: Art/Culture/Ideas, Currencies of Hospitality, April 2021
Radin, Joshi. “The Choice of Mobility.” Printers Devil Review, Spring, 2015
“Recent Histories: New Photography From Africa.” Contemporary And, September, 2016 Rattan, Chris. “The ROM’s Here We Are Here pushes back against narrow views of Blacknes,” Nowtoronto.com, February 1, 2018
Ross, Lauren ‘Happy Days: A Tightly Curated Prospect.4 Offers a Welcome Dose of Optimism,” Artnews.com, February 23, 2018
Rubine, Nadine, “Bright Young Things.” Art South Africa V. 7.3, February 2009
Ruth Butler, Shelley, “Museum without Walls: After Into the Heart of Africa,” Curatorial Dreams: Critics Imagine Exhibitions, McGill-Queens University Press, Montreal, 2016 Ryan, Bartholomew, “Floating Architectures.” Exhibition Text, 2008
Sablinska, Agnieszka. “Keeping Up With the Flow of the Art World, Just a Few Short Block Away.”, Columbia Spectator, April 30, 2008 Sanchez, Barbara. “Las fronteras (in)visibles.” El Pais, August 20, 2014
Sargent, Antwaun, A South African Exhibition Explores African American Identity, The Creators Project, Dec 2 2016
Schroeder, Hannah. New exhibit in the Kennedy Museum features art from The Horn of Africa, The Post, Thursday, January 21, 2016
Schultz, Charles. “Separate But Equal.” Art Slant, Summer 2009
“Seeing Is Not Believing.” New York Times International, June 8, 2015
Seymour, Tom, “The Stranger’s Notebook – Dawit L. Petros’ Journey Across Africa,” British Journal of Photography, April 13, 2016
Shanberg, Ariel. “Site Seeing: Explorations of Landscape.” Exhibition Text, January 2009 Smart, Paul. “Where We Live.” Woodstock Times, January 1, 2009
Smith, Roberta. “Introductions.” The New York Times, August 31, 2007
“Spotlight,” ArtMatters, Fall 2005
Sotorrio, Regina. “Las fronteras se rompen con arte.” Diario Sur, August 19, 2014.
Tamhane, Swapnaa, ‘Hello, This is the Diaspora Calling,’ Panel Discussion: “Canadian Artists Being HERE”, at the Aga Khan Museum, Saturday, July 22, 2017
Tousignant, Isa. “From the Mouths of Babes.” Hour Magazine, April 2003
“Untitled (Prologue II).” Harpers Blog, 19 September, 2016
Vaughn, R.M. “ROM’s Position as Desired: At last, a black Canada by black Canadians.” The Globe and Mail, Friday, October 15, 2010
Westwood, Rebecca. “The Lotus in Spite of the Swamp,” Canadian Art, November 23, 2017 White, Simone. “Dawit L. Petros.” Flow: Exhibition Catalogue, The Studio Museum in Harlem, 2008
Wilson, Michael. “Flow Motion.” ARTFORUM, 2008. Wolin, Joseph R. “Dawit L. Petros and Bryan Jackson.” Time Out, July 11-18, 2007
Wolin, Joseph R. “What Does Art Look Like in America’s Most “Prophetic” City?” Garagevice. com, November 21, 2017
Wong, Pamela. “Reinterpreting History in Black and White.” The Ottawa Sun, 2004
Young, Allison, “Dawit L. Petros” Artforum, Critics Pick, 25 June, 2016
Public Lectures Present Memories: On the Politics of Image-making, Magazzino Italian Art, Cold Spring, NY, 2023 Public Lecture, Italian Studies and History of Art and Architecture Departments, Brown University, Providence, RI, 2023 Seminar Leader, Italian Studies Colloquium, Brown University, Providence, RI, 2023 Panel & Keynote Presentation, Entangled Histories: Italy and the Horn of Africa, Galerie de l’UQAM & Italian Cultural Institute of Montreal, Montreal QC, 2023 Visiting Artist Lecture, Concordia University, Montreal, QC, 2023 ReMIX History Panel II: Allegories of the Present, Griffin Art Projects, Vancouver, BC, 2022 Visiting Artist Lecture, VOICES: Dawit L. Petros, Gallery 400 & University of Illinois at Chicago, IL, 2022 Panel & Keynote Presentation, Spectres of History: Prospetto A Mare, Art Gallery of Guelph, ON, 2022 Visiting Artist Lecture, Florida State University, Tallahassee, Florida, 2021 Visiting Artist Lecture, Art and Global Publics, Pratt Institute, New York, NY, 2021 Panelist: Irish Modernisms: Seminar 5 | Global Contexts East Africa Eritrea , CCA Derry-Londonderry, Derry, Northern Ireland, 2021 Panelist: Entangled Terrains, Black Athena Collective, The Museum of Modern Art, New York, NY, 2021 Dawit L. Petros & Maaza Mengiste in Conversation, University Buffalo Art Galleries & Exhibit X Fiction Series, Buffalo, NY, 2021
Dawit L. Petros, The Big Ideas in Art and Culture Series, Arts Everywhere Festival and Art Gallery of Guelph, Guelph, ON, 2021 The Stranger’s Notebook: Migrant Aesthetics and Justice, The Center for Ethics at University of Toronto, Toronto, ON, 2021
Pre-Occupations: The Displacement of Italian Colonial Memory, Visiting Artist Lecture, Concordia University/Post Image Cluster, Montreal, QC, 2021 Spazio Disponibile: Dawit L. Petros & Dr. Teresa Fiore, Vision & Justice, Frieze New York, NY, 2021 Panelist: The Hospitality of Images; Sylvie Fortin, Behzad Khosravi Noori, Dawit L. Petros & Felipe Steinberg, Bemis Center for Contemporary Arts, Omaha, Nebraska, 2021
Thinking Through Monuments, University at Buffalo Art Galleries, Buffalo, NY, 2021
Visiting Artist Lecture, Import/Export, The Kent State University Global Understanding Research Initiative, Kent, OH, 2021 Dawit L. Petros: Visiting Artist Lecture, SMFA at Tufts University, Boston, MA, 2020 Dawit L. Petros: Visiting Artist Lecture, Columbus College of Art & Design, Columbus, OH, 2020 Dawit L. Petros: In The Studio, Art Gallery of Ontario, Photography Circle, Toronto, ON, 2020 Karyn Olivier & Dawit L. Petros: Visiting Artist Speaker Series, UB Art Galleries, Buffalo, NY, 2020 Dawit L. Petros: Visiting Artist Lecture, University of Illinois at Chicago, Department of Photography, Chicago, IL, 2020 Thinking Through Photographs, UB Art Galleries & Silver Eye Center for Photography in Pittsburgh, University Buffalo, NY, 2020 Dawit L. Petros: Studio VU Lectures, Vanderbilt University, Department of Art, Nashville, TN, 2020 Curatorial Talks: Daniel R. Quiles with Dawit L. Petros, Mana Contemporary, Chicago, IL, 2020 Spazio Disponibile, Symposium: Italy and East Africa: Unexplored Histories, The Power Plant Contemporary Art Gallery and Instituto Italiano di Cultura Toronto, Toronto, ON, 2020 Spazio Disponibile, Performative Lecture: Dawit L. Petros & Irene Campolmi, OCAD University, Toronto, ON, January 21, 2020
Black Athena Collective, “Regimes of Passage,” Violence in the Arts, DFG Research and Training Group Knowledge in Arts, In cooperation with Studium Generale, UdK Berlin
Panelist, Here We Are, Royal Ontario Museum, Toronto, ON, 2018
Visiting Artist Lecture, Discrepant Modernisms, Concordia University, Montreal, QC, 2017 Visiting Artist Lecture, Decolonising the Archive, Lesley University, Cambridge, MA, 2017
Visiting Artist Lecture, The Stranger’s Notebook, Kansas City Art Institute, Kansas City, MO, 2016 Panelist, Beyond the Frame: Contemporary Photography from Africa and the Diaspora, Columbia University, 2016
Visiting Artist Lecture, The Stranger’s Notebook, Ontario College of Art and Design, Toronto, ON, 2016 Panelist, Position As Desired, Art Gallery of Windsor, Windsor, ON, 2016
Visiting Artist Lecture, The Stranger’s Notebook, The University of Toronto, Toronto, ON, 2016
Dawit L. Petros In Conversation with Dr. Elizabeth Harney, The Royal Ontario Museum, Toronto, ON, 2016
Visiting Artist Lecture, Ohio University, Athens, OH, 2016
Art Connect: Dawit L. Petros in Conversation with Osei Bonsu, Tiwani Contemporary, 2015
Four Photographers Speaker Series, School of the Museum of Fine Arts, Boston, MA, 2014 Invisible Borders, Goethe Institute, Accra, Ghana, 2014
Invisible Borders, Goethe Institute, Lagos, Nigeria, 2014
Public Lecture, Ulrich Museum of Art, Wichita State University, Wichita, KS, 2012
Public Lecture, Salina Art Center, Salina, KS, 2012 Visiting Artist Lecture, Fort Hays State University, Hays, KS, 2012
Public Lecture, McColl Center for Visual Art, Charlotte, NC, 2012
Visiting Artist Lecture, University of Manitoba, School of Art, Winnipeg, MA, 2011
Panelist, Documenting Diaspora(s), Literary Studies Colloquium, Fordham University, New York, NY, 2011 Panelist, Position As Desired, Symposium, Royal Ontario Museum, Toronto, ON, 2011
Visiting Artist Lecture, Brooks Institute of Photography, Santa Barbara, CA, 2011
Visiting Artist Lecture, Fordham University, New York, NY, 2011
Panelist, African Literature, Visual Arts, and Film in Local & Transnational Spaces, Ohio University, Athens, OH, 2011
Visiting Artist Lecture, Ohio University, Athens, OH, 2011
Visiting Artist Lecture, Department of Photography, The Cooper Union, 2010
Panelist, Imagery and Africa Conference, Addis Ababa University, Addis Ababa, Ethiopia, 2010
Panelist, The African Art Renaissance, Symposium, World Black Arts Festival, Dakar, Senegal, 2010
Visiting Artist Lecture, Fordham University, New York, NY, 2010
Panelist, Always Moving Forward, Gallery 44, Toronto, ON, 2010
Public Lecture, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, 2010
Panelist, The Artist’s Voice: Encodings, The Studio Museum in Harlem, New York, NY, 2009
Visiting Artist Lecture, UCI/OCMA Speaker Series, University of California, Irvine, CA, 2009
Visiting Artist Lecture, Tyler School of Art, Philadelphia, PA, 2008
Panelist, The Artist’s Voice: Flow, The Studio Museum in Harlem, New York, NY, 2008
Visiting Artist Lecture, The Art Institute of Boston, Boston, MA, 2007
Visiting Artist Lecture, Tufts University, Boston, MA, 2007
Panelist, Alone, Gallery 44, Toronto, ON, 2006
Public Lecture, Prefix Gallery, Toronto, ON, 2006
Visiting Artist Lecture, Concordia University, Montreal, QC, 2006
Collections Art Gallery of Ontario, Toronto, ON BMO Financial Group, Toronto, ON
The Center For Photography at Woodstock, Woodstock, NY Caisse de Dépôt et Placement du Québec (CDPQ), Québec, QC Chrysler Museum of Art, Norfolk, VA
Gallery 44, Silver Editions, Toronto, ON
Huis Marseille, Museum for Photography, Amsterdam, Netherlands Infor Global Solutions, Alpharetta, GA Global Affairs Canada, Visual Art Collection , Ottawa, ON Mana Contemporary
, Jersey City, NJ MacKenzie Art Gallery, Regina, SK Museum of Contemporary Photography, Chicago, IL Musée d’art contemporain de Montréal, Montreal, QC RBC Art Collection, Toronto, ON Saskatchewan Arts Council, Regina, SK
Scotiabank Corporate Art Collection, Toronto, ON Stanley Mills Collection, Concordia University, Montreal, QC
TD Bank Corporate Art Collection, Toronto, ON The Museum of Fine Art Houston, Houston, TX The Royal Ontario Museum, Toronto, ON The Studio Museum in Harlem, New York, NY
The University of Toronto Art Museum, Toronto, ON
The Walther Collection, Neu-Ulm, Germany
Wedge Curatorial Project, Toronto, ON Yale University Art Gallery, New Haven, CT