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The Idea of North

The Idea of North

Installation view, Tufts University Art Galleries, 2007

The Idea of North is anchored on a found photograph of two Tanzanians on the summit of Mount Kilimanjaro and Glenn Gouldʼs 40-hour train ride on the Muskog Express from Winnipeg to Churchill, Manitoba in 1967. The project takes multiple forms; a reflecting pool, video installation, photographs, temporary sculptures, and a wall painting. These forms link my travels to the austere frontiers of northern Canada and western California. By conjoining disparate cultural and geographical places as overlapping, contingent spaces whose features blend into one another, the project unmasks the seeming inauthenticities that divorce an African locality operating as a conceptual generator for aesthetic systems through which North American landscapes can be articulated.

The Idea of North

The Idea of North

Installation view, Tufts University Art Galleries, 2007

Perpetual Instability of Differentiation

Perpetual Instability of Differentiation

(Foreground), Reflecting Pool, MDF board, Plexiglass, Water, 4’ x 6’ x 18”, 2007

Proposition 1: A Parallel Model for Physical and Conceptual Processes

Proposition 1: A Parallel Model for Physical and Conceptual Processes

Found Image, Archival colour pigment print, 5 x 7”, 2007

Proposition 2, Mountain, Badwater, Death Valley, California

Proposition 2, Mountain, Badwater, Death Valley, California

Temporary Sculptural Installation, Archival colour pigment print, 26 x 36”, 2007

Proposition 3, Sign, Churchill River, Hudson Bay, Manitoba

Proposition 3, Sign, Churchill River, Hudson Bay, Manitoba

Temporary Sculptural Installation, Archival colour pigment print, 26 x 36”, 2007

The Idea of North

The Idea of North

Single channel video installation, 14:28 mins, 2007

The Idea of North

Installation view, Tufts University Art Galleries, 2007

The Idea of North is anchored on a found photograph of two Tanzanians on the summit of Mount Kilimanjaro and Glenn Gouldʼs 40-hour train ride on the Muskog Express from Winnipeg to Churchill, Manitoba in 1967. The project takes multiple forms; a reflecting pool, video installation, photographs, temporary sculptures, and a wall painting. These forms link my travels to the austere frontiers of northern Canada and western California. By conjoining disparate cultural and geographical places as overlapping, contingent spaces whose features blend into one another, the project unmasks the seeming inauthenticities that divorce an African locality operating as a conceptual generator for aesthetic systems through which North American landscapes can be articulated.

The Idea of North

Installation view, Tufts University Art Galleries, 2007

Perpetual Instability of Differentiation

(Foreground), Reflecting Pool, MDF board, Plexiglass, Water, 4’ x 6’ x 18”, 2007

Proposition 1: A Parallel Model for Physical and Conceptual Processes

Found Image, Archival colour pigment print, 5 x 7”, 2007

Proposition 2, Mountain, Badwater, Death Valley, California

Temporary Sculptural Installation, Archival colour pigment print, 26 x 36”, 2007

Proposition 3, Sign, Churchill River, Hudson Bay, Manitoba

Temporary Sculptural Installation, Archival colour pigment print, 26 x 36”, 2007

The Idea of North

Single channel video installation, 14:28 mins, 2007

The Idea of North
The Idea of North
Perpetual Instability of Differentiation
Proposition 1: A Parallel Model for Physical and Conceptual Processes
Proposition 2, Mountain, Badwater, Death Valley, California
Proposition 3, Sign, Churchill River, Hudson Bay, Manitoba
The Idea of North