
Passage (Red Sea)
Wall Mural, custom red paint on wall, 800 x 280cm, 2010
Chrome is a long term project that explores urban neighborhoods around the world. The work began with Harlechromes, 2009; Addischromes, 2010, Dakarchromes, 2011 and Bostonchromes in 2013. The Notations are structured on walks of discovery in which colors and their attendant objects are collected. These colors are then translated into monochromatic fields to create - Social Abstractions - works comprising photography, sculpture and painted wall murals. These Social Abstractions envelop the formal arena while offering an ambivalent reflection on urban African spaces and their historical formation. The murals and sculptures make simultaneous allusion to methods of abstraction and to colour and patterns drawn from African sensibilities. The result is an evocation of the hybrid sensibilities theorized by Uche Okekeʼs natural synthesis.

Passage (No. 2, Questions of resemblance)
Archival colour pigment prints, clear and brown glass, 183 x 183cm, 2010

Addischrome No. 4, 24 Ready found colour and exterior walls on the way around the boundaries
Archival colour pigment prints, 50 x 60cm each, 2010

Addischrome No. 4
Detail, Archival colour pigment print, 50 x 60cm, 2010

Addischrome No. 4
Detail, Archival colour pigment print, 50 x 60cm, 2010

Notations (A Catalogue of Addis Ababa)
Artist’s Archive, Digital Prints, 10 x 15cm each, 2010
Passage (Red Sea)
Wall Mural, custom red paint on wall, 800 x 280cm, 2010
Chrome is a long term project that explores urban neighborhoods around the world. The work began with Harlechromes, 2009; Addischromes, 2010, Dakarchromes, 2011 and Bostonchromes in 2013. The Notations are structured on walks of discovery in which colors and their attendant objects are collected. These colors are then translated into monochromatic fields to create - Social Abstractions - works comprising photography, sculpture and painted wall murals. These Social Abstractions envelop the formal arena while offering an ambivalent reflection on urban African spaces and their historical formation. The murals and sculptures make simultaneous allusion to methods of abstraction and to colour and patterns drawn from African sensibilities. The result is an evocation of the hybrid sensibilities theorized by Uche Okekeʼs natural synthesis.
Passage (No. 2, Questions of resemblance)
Archival colour pigment prints, clear and brown glass, 183 x 183cm, 2010
Addischrome No. 4, 24 Ready found colour and exterior walls on the way around the boundaries
Archival colour pigment prints, 50 x 60cm each, 2010
Addischrome No. 4
Detail, Archival colour pigment print, 50 x 60cm, 2010
Addischrome No. 4
Detail, Archival colour pigment print, 50 x 60cm, 2010
Notations (A Catalogue of Addis Ababa)
Artist’s Archive, Digital Prints, 10 x 15cm each, 2010





